The British artist David Marsh has devised a clever way to combine his two favorite things—Adobe design software Pantone color swatches and album cover art—with a nod to Pointillism. Each finished piece uses 1,369 Pantone swatches to recreate a pixelated version of some of the most famous album artwork of the past half-century.

Roxy Music: “Country Life” (1974)

[MyModernMet]

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